Sound Services | MCM Creative

SOUND

OUR SERVICES

MCM's state of the art recording studio is fully equipped to record any podcast, voice-over, or ADR dubbing session. We offer a number of post-production services including sound design, editing, mixing, and mastering. The recording booth is fully soundproof and is built as an ideal environment to capture isolated, high quality vocal recordings.

DESIGN

MIXING

PRODUCING

Our team has decades of notable experience designing sound for film, TV, theatre, and advertising. We pull from a variety of sources and record custom sound effects to create a quality, convincing soundscape for your project.

Our experienced sound mixers can take your project and enhance it with a crystal-clear, stunning 5.1 surround sound mix, stereo mix down, and deliver to industry standard specs. Our state-of-the-art mix suite is equipped for all your audio needs.

Our team can help produce your project to bring it to the next level. Whether it’s booking talent, organizing the schedule, or creating a new marketing plan, MCM has the tools and skills to increase

your audience and popularity in

a competitive medium.

RECORDING

EDITING

Our studio is outfitted with four Electro-Voice RE20 Dynamic Cardioid microphones that run through Cloud Lifter CL-1s, an Audient EVO16 multi-channel interface and then into a custom ProTools session, to ensure the highest quality WAV audio files for any project.

Once your project is recorded, our in-house post production team will get to work on trimming your project down to its best moments. Have an intro song or promos? Send along any additional

assets to our team, and they’ll

handle the rest.

PRODUCING

RECORDING

EDITING

Our team can help produce your project to bring it to the next level! Whether it’s booking talent, organizing the schedule, or creating a new marketing plan, MCM has the tools and skills to increase

your audience and popularity in

a competitive medium!

Once your project is recorded, our in-house post production team will get to work on trimming your project down to its best moments! Have an intro song or promos? Send along any additional

assets to our team, and they’ll

handle the rest!

MIX ROOM

PODCAST, VOICE-OVER,
ADR STUDIO

MOBILE SOUND KIT

Fully floated, soundproof 5.1 surround mix suite
Pro Tools HDX for sound design and editorial
Euphonix System 5 console
Monitoring through JBL LSR6328 series cinema speakers
Large wall monitor

Floating floor
Custom-built podcast table
Custom sound paneling & corner traps
4 RE-20 Microphones
3 SM7Bs
U87 Condenser Microphone
COS11D Lav Microphone
Cloudlifter CL-1
Audient Evo 16
Rodecaster
TV Monitor
Headphone Box
Sony MDR7506 Headphones
Mogami XLR cables
iMac : Pro Tools 12, Adobe Audition, Izotope Post Production Suite, Source Connect, Cleanfeed, Riverside.FM, Zencast, Zoom and a fiber internet connection.

Sound device 633 Mixer
MixPre10
4 LectroSonic Lav Sets
2 LectroSonic dual receiver camera hops
Sanken COS11D Lav microphones
Sennheiser Tram-50s Lav microphones
8 Sennheiser Lav Sets
Sennheiser MKH-60 shotgun microphone
3 Sennheiser 416 Boom mics
Boom Poles
Smart slate
LectroSonic Boom Transmitter, XLR Cables and various cables, adaptors, lav clips, stickies, and various sized transmitter belts

OUR TEAM

Brian Langman

Brian Langman is a Sound Designer/Supervising Sound Editor with thirty years of experience editing and mixing for all types of audio projects. He has worked on feature films, documentaries, and theatrical productions.

Some of Brian's favorite projects were Drumline, Analyze That, Michael Clayton, and The Hoax. He is also very proud of his twenty year collaboration with the American Museum of Natural History/Hayden Planetarium. He has created and mixed the sound design for their space shows, which is an immersive 23 speaker experience.

Tom Gambale

Tom Gambale is a Sound Designer and Mixer with 25 years of experience originally in the world of commercial music and sound design for advertising, and later moving into the world of sound design and audio post production for independent film and television. Some of his more notable projects include the Warner Bros. documentary Stanley Kubrick: A Life In Pictures, the indie dramas Stop the Pounding Heart and The Other Side, both of which were Official Cannes Film Festival Selections, the two Rikki Lake-produced documentaries Weed the People and The Business of Birth Control, and the independent feature Bereave featuring Malcolm McDowell.

Some of Tom's television credits include Discovery ID’s RedRum, HBO’s Gaming Wall Street and VICE TV's Betraying the Badge. He works on many advertising projects for clients including MLB, Refinery 29, The Sundance Channel, MOET, NIKE, The New York Times, USA Network, ESPN, BMW, Hulu and The History Channel. Additionally, he produces audio for the annual Radio Mercury Awards show.

Gabriel Berenbaum

Gabriel Berenbaum is the Head of the Audio Department at MCM Creative, where he mixes, produces, and engineers podcasts, voice-overs, and ADR dubbing sessions. He has done work for Universal Pictures, HBO, Netflix, Discovery Plus, DC Comics, Yes Network, Food Network, Vice, MSG Network, The United Nations and more. Gabriel has produced podcasts and radio commercials including The Dan Fogler 4d Xperience!, Politicology, NY Post's The Show and "The Power of Pro" campaign for CertaPro. Once a recording is wrapped, Gabriel works as a post production sound editor, sound mixer, foley, dialogue and ADR editor, and has contributed to many projects including Lucha, Junction, Our Special Day, Strands of Light and HBO's Gaming Wall Street.

Gabriel's love of sound stems from his musical background, which has landed him several placements in film and TV. He produced the revamped Sex and City theme song music for the pilot of the new show, And Just Like That, and wrote and produced original songs for various projects including "Swing" featured in Jennifer Lopez’s Marry Me, “Misery” heard in Netflix and D.C.’s Sweet Tooth, "Todo El Mundo" for the Sundance winner The Infiltrators as well as various cues and the original end credit song for Michael Canzoniero’s Making the Day.